Analysis of Voices
In The Park by Anthony Browne
- Where
is the text located? Within the image? Separated by borders or white
space, Why?
The words in this picturebook are
located to the right and they are separated by white space. This is consistent throughout the book, and I
think this is make the picture come first in the way the eye reads (which in
English speaking culture is from left to right).
- Are
the illustrations double page spreads, single page images, collages,
overlapping images, or portraits?
The illustrations seem to be single
page images that share the page with block of text.
- Consider
the series of images in the picturebook. Do the images change over the
course of the book? Do they get bigger, smaller, change?
The images are consistent in
size. The majority of them contain an animated
element, and some sound effects.
Analysis of Page from
Voices In The Park by Anthony Browne
- What
is fore-grounded and in the background?
The fore-ground features an
anthropomorphic ape person, sitting in a chair.
He is wearing the clothes of a working class man. The background is mostly white, but it contains
his shadow which is cast from the light of a television. We cannot see the television. It is implied.
- Consider
the path your eyes follow as you approach the image. What catches your eye
first? Why is that element salient?
The first thing that catches your
eye is the ape character in the foreground.
He presents about 90% of the emotion conveyed by this page. His facial expression and body language show
his feelings even before you read the text.
- What
colors dominate the image? What effect does this have on you as reader?
This picture is filled with the
blues, both literally and metaphorically.
The characters clothes, and his giant shadow are blue. And since we tend to think of melancholy as “blue”
in color, this helps convey the emotion.
- Consider
the use of white (negative) space. Are the illustrations framed or full
bleed? How does this position you as a viewer?
The text is separated by white
space. There is a clear gulf between the
image and the words, and this helps to make the image come first. There also seems to be a pause between
noticing the pictures and noticing the words.
- What
is the reality value or level of abstraction? Are the images life-like or
stick figures?
For cartoon characters, they are
lifelike. I find this character to be
particularly realistic because of his clothes, and body pose.
- Are
there any recurring patterns in the images?
Everyone in the story is a
human-like gorilla (with human arms).
They all seem to live in a 1950’s style New York City.
- Are
there any anomalous elements? Things that stick out, or seem out of place?
Are these important to consider?
I didn’t find any anomalous elements. I felt the design was pretty consistent
throughout.
- What
is the artist trying to get you to look at through leading lines, colors,
contrast, gestures, lighting?
I think the artist is trying to get
you to notice the facial expressions and body language of the characters before
you notice anything else. The
illustrated characters dominate the page.
- Are
there any recurring symbols or motifs in the images?
There seems to be a dog in every
picture. The dogs seem to represent
freedom and the draw of the outdoors. The
dogs are part of the reason each character visits the park, and they help as a
catalyst to heal some of the depression in the story.
- Consider
the style or artistic choices? Are they appropriate, and how do they add
to the meanings of the picturebook?
Turning people into animals is
common convention that can make even somewhat serious stories palatable for
children.
- How
are the images framed? Are there thick borders or faded edges?
This particular image is not framed
by any lines.
- Consider
the setting of the story. How is this realized in the images?
Realistically? Metaphorically?
The setting (a fictitious city) are
realized in some skillful artwork. I
think they come across very realistically, even though the artist has added a
ton of activity to some scenes.
- Consider
size and scale. What is large? Why are certain elements larger than
others? Does this add to meanings of power, control?
Usually the characters are the
largest elements in the picture. This
causes you to focus on the people before the background or the text.
- Consider
the viewers point of view. Do characters directly gaze or address the
viewer? Are the characters close up or distanced? How does point of view
add to relationships with the characters?
The characters do not fully
acknowledge the reader, even though they speak in first person. It is almost as if each character is speaking
to his or herself.
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